Soprano Jennifer Zetlan is internationally recognized for her artistry and captivating stage presence, known for being “persuasive and powerful”, “flawless” (The New York Times), and a “tour de force” (Wall Street Journal). This season, Ms. Zeltan joins the American Lyric Theater for their popular InsightALT series as Tzeitl in Tevye’s Daughters and Madame Alice in Working for the Macbeths, and joins Opera Saratoga for a workshop of The Other Side of Silence in the role of Helen.  She sings in a concert presenting Bach Cantata #63 and Bernstein’s Chichester Psalms and selections of Bernstein’s MASS with the Cecilia Chorus of New York at Carnegie Hall, and presents a recital of Libby Larsen’s The Magdalene with Brooklyn Art Song Society. In 2025, she will sing in an opera TBA with Cincinnati Opera, and sing as the soloist in Handel’s Messiah with the Oratorio Society of New York at Carnegie Hall.

 

In recent seasons, she sang Eurydice in the deaf opera project Orpheus & Erica with Victory Hall Opera and as Trujamán in Manuel de Falla’s El retablo del maese Pedro at the Kennedy Center with PostClassical Ensemble. She gave the world premiere of Tribute to the Angels, a piece written for her by Louis Karchin with the Talea Ensemble, and appeared at the New Voices Festival with the Brooklyn Art Song Society and the Riverside Orchestra singing Barber’s Knoxville: Summer of 1915. She also was part of the 30th anniversary concert for Music in the Vineyards.

 

Ms. Zetlan has performed with The Metropolitan Opera on numerous occasions, having most recently covered the role of Queen Tye in both the 2019 and 2022 productions of Akhnaten and covering Little Stone in the 2021 production of Eurydice. She has also appeared as the 2nd French actress in War and Peace, Xenia in Boris Godunov, a bridesmaid in Le nozze di Figaro, Bloody Child in Macbeth, and Rebecca in the premiere of Nico Muhly’sTwo Boys. She's also been a frequent featured artist at Seattle Opera, performing roles such as Gilda in Rigoletto, Musetta in La bohème, Woglinde in Das Rheingold, and The Forest Bird in Siegfried. Favorite notable roles elsewhere include Pamina in Die Zauberflöte with Charlottesville Opera and Nashville Opera, Sardula in Menotti’s The Last Savage with Santa Fe Opera, Spring in The Fairy Queen with the Staatstheater Stuttgart, Laoula in L’étoile with New York City Opera, and Nannetta in Falstaff at the Juilliard Opera Center.

 

The 2019-2020 season included the reprise of Ms. Zetlan’s role as Ellen in Ricky Ian Gordon and Frank Bidart’s Ellen West with the Prototype Festival, and a reprise of her role as Ginsburg in Wang’s Scalia/Ginsburg with Opera Carolina and Opera Grand Rapids. Ms. Zetlan took part in several pandemic-based projects, including a multi-continent live Zoom production of Noor Inayat Khan’s Aède of the Ocean and Land presented by the Center for Contemporary Opera, and a phone-opera-for-one production of To My Distant Beloved with On Site Opera. Other recent season highlights include joining the San Francisco Symphony as Xenia in Boris Godunov with Michael Tilson Thomas, appearing as soprano soloist in Carmina Burana with the Kansas City Symphony, Fauré’s Requiem at The Cathedral of St. John the Divine and Ginsburg in Scalia/Ginsburg with Opera Delaware.

 

Known for her passion for contemporary music, Ms. Zetlan has been featured in numerous American opera premieres. She has originated title roles in Ellen West with Opera Saratoga, Musto and Einhorn’s Rhoda and the Fossil Hunt with On Site Opera, and Louis Karchin’s Jane Eyre with the Center for Contemporary Opera. She has also sung in premieres for works like Rorem’s Our Town with the Aspen Music Festival and Juilliard Opera Center, Aucoin’s Crossing with ART in Boston and BAM in New York, Steven Stucky and Jeremy Denk’s The Classical Style with the Ojai Festival and Carnegie Hall, Gordon’s Morning Star with On Site and Cincinnati Opera, Muhly’s Dark Sisters with Gotham Chamber Opera and Opera Philadelphia, and Daron Hagen’s Amelia with Seattle Opera. She has also appeared on Broadway as Shaindel in Bartlett Sher’s Fiddler on the Roof.

 

Ms. Zetlan is a committed performer of orchestral works and song repertoire. On the concert stage, she has performed Kaija Saariaho’s Lonh with the New York Philharmonic at the Park Avenue Armory, Woglinde in Das Rheingold with the New York Philharmonic, soprano soloist in Bruckner’s Te Deum and Mozart’s Mass in c minor with Oratorio Society of New York at Carnegie Hall and on tour in Uruguay, and was heard at Carnegie Hall as a celebrated alumna of Mannes College of Music in their Centennial Celebration concert. Recognized as a unique recitalist, Ms. Zetlan was selected as a Marilyn Horne Foundation artist and was chosen to perform in The Juilliard School’s 2012 Vocal Arts Honors Recital in Alice Tully Hall; she’s been heard in recital with her husband, pianist David Shimoni at venues such as Christ and St. Stephen’s Church in New York City, Carnegie Hall’s Zankel Hall, Golandsky Institute, Foothills Music Festival, and the Artist Series of Sarasota. Additionally, she has given recitals with pianists Martin Katz and Ricky Ian Gordon and has released her first solo album in collaboration with Mr. Gordon at the piano. Ms. Zetlan is on the voice faculty of the Mannes College of Music.